Sabtu, 30 Maret 2019

Ebook Free Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)

Ebook Free Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)

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Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)

Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)


Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)


Ebook Free Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)

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Construction Materials, Methods and Techniques: Building for a Sustainable Future (Go Green with Renewable Energy Resources)

Review

"The textbook has a long history of being used as an instructional tool to teach construction methods and materials. The text has just been revised to include new materials to aid the educator in preparing students for a vast array of construction related professions.""This book works well as introductory book for trade or college students and equally good resource for working professionals and researchers."

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About the Author

William P. Spence is Dean of the College of Technology as well as Professor of Construction Engineering Technology emeritus at Pittsburg State University in KS. He currently is active as a full-time author of more than 30 technical construction books.

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Product details

Series: Go Green with Renewable Energy Resources

Hardcover: 1120 pages

Publisher: Cengage Learning; 3 edition (January 19, 2010)

Language: English

ISBN-10: 1435481089

ISBN-13: 978-1435481084

Product Dimensions:

8.5 x 1.5 x 11 inches

Shipping Weight: 4.6 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#896,532 in Books (See Top 100 in Books)

Very Informative book, that has help me understand many of the feature around the construction of small project such as a residential building to one as complex as a major highway. Save your more money and purchase the 3rd edition versus the 4th, the information is almost exactly the same and the price is much more reasonable.

Booked looked kinda used but wasnt expecting otherwise. The price was excellent, a lot cheaper than buying or renting from the college. The teacher said this book has a lot of good info for schedulers and project management so hopefully will get good use out of it.

Constructed Materials, Methods, etc. came within the projected time. It was in perfect condition as advertised. Excellent copy for new construction.

I purchased it as a required text book for a Construction management class. I feel like the illustrations help make the reading come to life. I wish that there were more online training tools to help like study guides and blogs to discuss the topics. Otherwise, the book is good and I will not trade it in, I plan to use it as a resource for my future career in interior and architectural planning.

Very helpful at school

My daughter is using the book for school & saved money by getting it through Amazon. Working well for her class.

Easy to read

Lots of great information and material in this book.

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Kamis, 28 Maret 2019

Ebook George's Magic Garden: Transforming the Ordinary into the Extraordinary

Ebook George's Magic Garden: Transforming the Ordinary into the Extraordinary

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George's Magic Garden: Transforming the Ordinary into the Extraordinary

George's Magic Garden: Transforming the Ordinary into the Extraordinary


George's Magic Garden: Transforming the Ordinary into the Extraordinary


Ebook George's Magic Garden: Transforming the Ordinary into the Extraordinary

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George's Magic Garden: Transforming the Ordinary into the Extraordinary

About the Author

George Carter is a leading garden and exhibition designer who is currently working on the restoration of the garden of the Royal Hospital at Chelsea, London, to its original classical Dutch appearance. He is a multiple Chelsea Flower Show Gold Medalist. Harry Cory Wright is a photographer whose previous titles include Atlantic Views of the Atlantic Ocean and Journey Through the British Isles.

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Product details

Hardcover: 160 pages

Publisher: Double-Barrelled Books (August 1, 2015)

Language: English

ISBN-10: 0957150059

ISBN-13: 978-0957150058

Product Dimensions:

8.5 x 1 x 11.5 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,654,539 in Books (See Top 100 in Books)

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Jumat, 22 Maret 2019

Free PDF My Football Book, by Gail Gibbons

Free PDF My Football Book, by Gail Gibbons

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My Football Book, by Gail Gibbons

My Football Book, by Gail Gibbons


My Football Book, by Gail Gibbons


Free PDF My Football Book, by Gail Gibbons

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My Football Book, by Gail Gibbons

From School Library Journal

Kindergarten-Grade 3-What shines through in both of these books is Gibbons's dedication to presenting the games as fun. Each volume outlines all of the necessary equipment and rules and describes a fictitious game to demonstrate the facts. The illustrations, especially those of the players, clearly reflect the action. Both entries have a glossary with key terms, including important concepts such as teamwork and sportsmanship. Excellent choices for beginner players and readers.Meghan R. Malone, Turner Free Library, Randolph, MA Copyright 2000 Reed Business Information, Inc.

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From Booklist

Reviewed with Gibbons' My Basketball Book.Ages 5-7. Gibbons introduces the basics of basketball and football in two small-format paperback books. Each book identifies the equipment, the court or field, the positions of the players, and a few rules of the game. In the brightly colored artwork, young players, both boys and girls, illustrate this introductory information, then begin a game that adds a touch of narrative and allows for explanation without the tedium of listing one rule after another. Bas ketball begins "Basketball is fun, whether you are playing yourself or rooting for your favorite team." A similar sentence leads off in Football , and that low-key message is at the heart of both presentations. The books don't cover all the rules; indeed, for kids who are intently interested, they will raise as many questions as they answer. Instead, they offer a starting point for young children trying to figure out what's going on in the sport or how to get in the game. Carolyn PhelanCopyright © American Library Association. All rights reserved

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Product details

Age Range: 4 - 8 years

Grade Level: Kindergarten - 2

Lexile Measure: 570L (What's this?)

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Hardcover: 24 pages

Publisher: Collins (August 22, 2000)

Language: English

ISBN-10: 0688171397

ISBN-13: 978-0688171391

Product Dimensions:

6.2 x 0.2 x 7 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

51 customer reviews

Amazon Best Sellers Rank:

#377,022 in Books (See Top 100 in Books)

Got this book for my granddaughter to learn about what's going on during the games she watches her daddy coach. Very good work done by author. I even learned a few new things too. This is the second one I have bought for kids who have daddies coaching high school football. Sure helps them learn terms, game and equipment. Helps to see what daddy is doing as a coach. Won't hesitate to buy another in the future.

Using as a mentor text in my classroom for Lucy Calkins Units of study.

My nephew has been obsessed with football from the moment he could grasp a pigskin in his little hands. This book is the perfect combination of picture book and football primer for a 5-year-old. It may also be instructive for people who've always missed several of the more basic aspects of the game. You will know what each player's role is in the game (beyond your basic wide receiver, quarterback, etc), and the key points will be clear. Ahm. Not that you don't already know those things (nudge nudge).

And so it begins, our son has been indoctrinated into the world of football. This book is very cute the images, but illustrations are good and my son loves it! This is a great book for any family that loves football and wants to share it with their kids

Good for introducing football lingo to kids and non football enthusiast! (so they can STOP getting on your nerves DURING game time!)

got this book for my 4 yr old grandson, who love sports. This book explains the rudiments of the game in story form: just what a 4 yr old wants!!

Five year old grandson loved it!

Can't say why not since my grandson is a football fanatic. Gives the basics, written straight forward. Maybe too dry for my 5 year old? Read it once but he keeps it on his bookshelf so not a total write off.

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Senin, 18 Maret 2019

Ebook

Ebook

It won't take even more time to download this It won't take even more cash to publish this book Nowadays, people have actually been so clever to utilize the modern technology. Why do not you utilize your device or other tool to conserve this downloaded soft data e-book This means will let you to consistently be gone along with by this e-book Certainly, it will be the very best good friend if you review this publication up until completed.






Ebook

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Product details

File Size: 14023 KB

Print Length: 287 pages

Publisher: Springer; 2009 edition (April 11, 2013)

Publication Date: April 11, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00DZ11AIC

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Amazon Best Sellers Rank:

#961,021 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

POINT OF VIEWMy standpoint as a reader of the book I would describe as 'experienced in algorithms', an expert in learning systems, but an amateur in music production - including computer-generated - and composition. My special interest in reading the book was the question of which methods are currently used to enable computer-generated music. Specifically I'm interested in how a computer program may be made able to 'learn' to play and and to compose music.A GREAT WEALTH OF MATERIALThe book 'Algorithmic Composition' provides undoubtedly a very broad introduction to the topic. The concepts of algorithm, markov model, generative grammar, transition networks, chaotic systems, Lindenmayer systems, genetic algorithms, cellular automata, artificial neural networks, and artificial intelligence are discussed conceptually, and examples are given for each chapter. At the end of each chapter you will find final assessment, where the strengths and weaknesses of the discussed algorithms for the purposes of the composition are pointed out.ALGORITHMS AND COMPOSITIONPerhaps it is no coincidence that the book does not begin with a detailed representation of the compositional process, but with a very extensive chapter (almost 60 pages) about the development of the human sign systems, the concept of algorithm, the development of machines for computation (computers), and the foundational issues of computability and decidability by a computer. What is missing is a similar introductory chapter about to the composition process. While the introduction about the concept of an algorithm provides a good framework for all the subsequent chapters, the concept of 'composition' remains a little 'in the air'. Even in the final discussion this gap is not really closed. Possibly does this lack express the limits of a representation of such a complex topic as 'algorithmic composition' , otherwise this can be seen as a challenge for a possible future revised edition, in which the concept of a - certainly idealized - compositional process will be elaborated to an extend which allows a better interaction with the different algorithmic methods.Within each chapter, as in the concluding discussion, the book repeatedly makes clear that between the great diversity and complexity of challenging pieces of music and the possibilities of algorithmic formalization has always been gaps, which will not be closed easily by a formalization. This is due not only to the limits of formalization - which has not yet been fully exploited - but also due to the conceptualization of the phenomenon of composition as such. We are always able to play or to compose music, but not so readily we are able to talk the same time about our doings in an 'appropriate conceptual' way (even 'great' composers like Bach, Mozart, Beethoven would not have been able to describe their process of composition in each case in a sufficient theoretical manner).ARTIFICIAL INTELLIGENCE?While the preceding chapters are quite clear about the different algorithmic methods, the chapter on 'Artificial Intelligence' is unsatisfying. Nierhaus himself points out at the beginning of the chapter that the very notion of 'intelligent' or 'intelligence' is used very inconsistently in the literature. This short chapter about AI is no remedy from this fuzziness of the field (one should notice that the algorithmic concepts of all preceding chapters are today in use within the context of so-called 'intelligent' systems or in the context of 'machine learning', the preceding chapters therefore deal already 'somehow' with 'artificial intelligence').EVALUATIONDespite the criticisms in detail, I would like to award the book five stars because it deals with a complex issue in a way that gives a good inroad for everybody who wants to understand the field a bit better. In particular I appreciate the thoroughness of the individual chapters combined with helpful further readings.

Very comprehensive and useful.

I cannot praise this book highly enough. It is open and clear, and really makes a significant crack into the world of algorithmic composition. In addition, each chapter is extensively and conscientiously followed by a list of source publications that promise endless hours of enlightening research. It is a significant and elegant contribution to the field of computer music.

I was going to buy this but luckily I found a copy in my uni library. This book has many errors and it only covers style imitation, not musical composition. I was amazed that the author even admits this in the book, and goes on to erroneously say that real algorithmic composition is not the subject of the book. I have just been looking around, and I found this review very helpful:The basics of the key tools of algorithmic composition are adequately covered in this book, and as such it does a mostly competent job of presenting them fairly clearly, but only in the realm of style imitation and despite many detailed errors. One of the things I found while reading the book was that I wished for an included disc, or even a Web site, with the musical examples available for playback so that I could quickly listen to them. I hope that the publisher and author consider this, as it would improve the book as a teaching resource. I also found the numerous errors misspellings, and typographical errors to be distracting, and potentially worrying.I approached this book with a large degree of enthusiasm and optimism, unfortunately I left it feeling disappointed.The emphasis on style imitation in the book and the lack of discussion of "genuine composition" is, I feel, a great shortcoming. There was an important opportunity here togo beyond style imitation--to me, as a composer, it is the least interesting or useful aspect of algorithmic composition--and delve into the more difficult realm of creative composition of compelling musical works. Furthermore, the book does not delve into algorithmic sound synthesis(surely still micro-composition), or examine in detail how some composers have used algorithmic principles to create great works, let alone attack the core issue itself. While the systems outlined in the book may be applied in a range of ways from the superficial and trivial to the very sophisticated, nowhere is the problem addressed of what musical composition really is. This has been a problem with some other books on algorithmic style imitation, but to my mind, musical composition is something other than the application of a set of rules (particularly music theory rules), and it goes beyond this. Style imitation already has a large body of literature; I feel this book does a competent job of pulling much of it together, but it has missed an opportunity to go further and add to the literature on algorithmic approaches to genuine composition.Maybe if I'm doing musicological research on specific styles, this book would be useful, but not for a composition student or working composer.

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