Jumat, 30 Desember 2016

Get Free Ebook Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

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Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman


Visions of Queer Martyrdom from John Henry Newman to Derek Jarman


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Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Review

“Janes has written a fascinating study of the artistic and ritual elaborations of male homoeroticism in the nineteenth century's Anglo-Catholicism. With his arguments, he redirects long-running debates. With his examples, he charms. Janes introduces readers to gallery after gallery of splendid images, to whole monuments of extravagant piety. There is much here to persuade—and much to delight.” (Mark D. Jordan, Harvard University)“This is a landmark book: decisively drawing together histories of religion and male same-sex desire via the ecclesiastical closet and the specter of queer martyrdom. Janes’s analyses of figures from John Henry Newman to Derek Jarman are rich and original, and together convince us of the significance of religion as key point of reference in queer identity and identification.” (Matt Cook, Birkbeck, University of London)“Essentially the story of the clash between the ‘muscular Christianity’ of the Protestant Church of England and the Anglo-Catholics who, while remaining in the Anglican fold, formed a counterculture of their own by turning to Catholic ritual, sacraments, and imagery.”   “In this book, Janes has a rich, rich subject, a gold mine, really…” (Andrew Holleran The Gay and Lesbian Review)“Janes develops a provocative defense of ‘ecclesiastical camp,’ arguing for a new history of what came to be known as ‘gay liberation’ that repositions the latter movement as a self-consciously secular alternative to the ‘ecclesiastical closet’ . . . his argument about the need to rethink the history of religion and sexuality is crucial.” (Journal of British Studies)“In this provocative and fascinating book, Janes tackles the thorny issue of same-sex desire and countercultural sexuality, with a particular focus on Anglo-Catholicism from the time of the Oxford Movement. . . . This is a book which invites engagement with a complex tradition. Anglicans fixated on sexual identity might learn much from it.” (Journal of Anglican Studies)“Janes’s impressive command of bibliography positions his work amidst literatures on British homosexuality, gay studies, and queer theory, arguing that post-gay-lib studies have denigrated creative dimensions of ‘closeted’ experience. (Anglican and Episcopal History)

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About the Author

Dominic Janes is professor of modern history at Keele University, United Kingdom.

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Product details

Hardcover: 240 pages

Publisher: University of Chicago Press; 1 edition (April 27, 2015)

Language: English

ISBN-10: 022625061X

ISBN-13: 978-0226250618

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,770,661 in Books (See Top 100 in Books)

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Jumat, 23 Desember 2016

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Product details

File Size: 4180 KB

Print Length: 129 pages

Page Numbers Source ISBN: 1799072967

Simultaneous Device Usage: Unlimited

Publication Date: March 8, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PH538ZF

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Amazon Best Sellers Rank:

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Minggu, 11 Desember 2016

Free Download Showtime at the Apollo: The Epic Tale of HarlemÂ’s Legendary Theater

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Showtime at the Apollo: The Epic Tale of HarlemÂ’s Legendary Theater

Review

"This graphic treatment adds a new dimension to a music book that was already hailed as a classic. Most graphic adaptations aim to reach new generations of readers with a work that is flashier but less substantial than the original. This collaboration between Fox (In the Groove: The People Behind the Music, 1986, etc.) and illustrator Smith represents a new experience for readers, one with an immediacy and vitality that text alone might never approach."  (Kirkus Reviews - STARRED review)“The graphic novel “Showtime at the Apollo: The Epic Tale of Harlem’s Legendary Theater” is like a sprawling Hollywood biopic… The book also shines a light on Harlem and black culture in America.” (The New York Times)"It’s a fizzy, entertaining, jubilant window into a space where so many artists became icons, overcoming hate and ignorance. It’s an essential guide to one of New York City’s greatest cultural institutions." (Entertainment Weekly)“Anyone interested in African American music and history and pop culture history will find this a captivating read.”             —Library Journal   (Library Journal)“This is a vibrant, exultant, and soulful history.” (Publishers Weekly)“This lively graphic novel traces the theater’s place in rhythm and blues, jazz and hip-hop history and its significance to New York City.” (Variety)"Showtime not only adapts Fox’s book, originally published in 1983, it expands upon it, bringing the story of the venue up to date, including events as recent as 2018 as it tells the complete story of one of the most iconic venues in the country." (The Hollywood Reporter)"...even those who are deeply familiar with the Apollo will find some delightful surprises in this evocative fusion of text and images."  (The New York Jazz Record)"...this graphic version is a beautiful, heartfelt, and rich tribute to a musical form, a vital location, and a pure American vision of connecting with the audience in the theater and everywhere else. We can feel the Apollo's heartbeat on every page, and that sensation will make a true believer of even the most jaded reader." (PopMatters)“Music lovers and history buffs alike will delight in this updated classic, and Smith’s stunning visuals will bring this important and exciting work to a whole new generation of readers.” (Bookish)

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About the Author

TED FOX is the author of Showtime at the Apollo: The Story of Harlem’s World Famous Theater—the definitive and only full-scale history of Harlem’s legendary showplace and the source material for this graphic novel adaptation—and In the Groove, a collection of interviews with those who have shaped the music industry. He is also a producer and manager, most notably for four-time Grammy nominee Buckwheat Zydeco. He lives in Manhattan and upstate New York.  JAMES OTIS SMITH is a multitalented artist whose work spans illustration, comics, motion graphics, and video. Formerly a member of the Act-i-vate Comics collective, he designed and illustrated the children’s book Madunia: Stories of the Ancient Lands with writer James McCammon, among other titles. Smith lives in Brooklyn, New York.Showtime at the Apollo is his debut graphic novel.  

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Product details

Hardcover: 240 pages

Publisher: Harry N. Abrams (January 8, 2019)

Language: English

ISBN-10: 1419731386

ISBN-13: 978-1419731389

Product Dimensions:

6 x 1.1 x 9.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#356,108 in Books (See Top 100 in Books)

Certainly a story that deserves to be told. Never got through more than the first 20-30 pages. The illustrations style is very repetitive -- black and purple drawings, page after page. Hard to keep interested. Plus there are many celebs included. The artist drew some of them well but some of them hard to believe that this was indeed the person intended.

Was looking forward to getting the history of the Apollo.I expected the storyline to be clearer but it rambles. Graphic are okay not the best.

This is the best book i have read read about the Apollo. Learning the history and going through the decades was so immersive.

If you love American pop music, especially r&b, or you love New York or you enjoy history, this book is for you. It's a lot of fun.

Showtime at the Apollo: The Epic Tale of Harlem’s Legendary Theater is clearly an adaptation of a prose work, with text boxes explaining key moments in the location’s history, but the illustrations add more hooks to show the reader just how important this Harlem entertainment venue has been. (It marks its 85th anniversary in 2019!) So many big names played there when they visited New York City, and amateurs could launch a career if they went over well.It’s marvelous to see so many artists portrayed and quotes included, making this almost an oral history. Smith does a great job with the likenesses. They’re not photo-realistic but still recognizable while still demonstrating artistic style. I found Fox’s inclusion as a character a helpful guidepost to how the book came to be as well. It’s astounding how many people wanted to talk to him about this subject, passing him around to share their stories. Superstars like Elvis and the Beatles even make cameo appearances, wanting to see performers there. Playing the Apollo put a stamp of legitimacy on up-and-coming acts.Beyond being a significant performance venue, it was a community anchor for a group that didn’t find as much acceptance elsewhere. When not playing, people shared gossip, gambled, and gave each other tips. Chapters cover* the development of Harlem as an entertainment destination in the early years of the 1900s* the Schiffmans, the Jewish family that owned the theater, their hardball tactics, and the varied ways they were perceived by the community* some of the most famous bands, comedians, and dancers to play the Apollo* the legend of Amateur Night and its demanding audience* the invention of bebop and later, rhythm and blues* changes in the business with the advent of records and rock’n’roll* gospel revues and their effect on more commercial soul music* the tough times when the theater went dark in the late 70s and later ownership changes, leading to an eventual renovationAn afterword by Fox explains how the original book came together. At a relatively brisk 240 pages, obviously there are a lot of subjects merely touched on, but the whole package is a wonderful journey through pop culture history, particularly good for the reader not yet familiar with the details. (Digital review copy provided by publisher. Review originally published at ComicsWorthReading.com.)

For decades, performers have known they have made it big when they hear, It’s Showtime at the Apollo!More than just about the Apollo Theater in Harlem, this fact-filled graphic novel tells the story of African-American music in NYC from the Harlem Renaissance after WWI through the present. All the greats from all the eras have played the Apollo—Lena Horne, Count Basie, Billie Holiday, Gladys Knight, Nicholas Brothers, James Brown, the Jackson 5, Sammy David Jr., Funkadelic and L.L. Cool J.There are some interesting little known facts. Who knew that February in the 1960s was reserved for the drag show, the Jewel Box Revue? Or about the bomb threat that forced the Revue’s closure? I also learned where the famed Tree of Hope stump came from and why it is lucky.Most graphic novels do not have so much text. Showtime at the Apollo reads more like an illustrated history than a true graphic novel. Even when the pictures alone could tell the tale, there is a text box labeling what is depicted. The artwork is clear. It is easy to recognize the famous faces.For anyone who is interested in musical history or the story of African-American entertainment in New York City, this is a fantastic choice. 4 stars!Thanks to the publisher, Abrams ComicArts, and NetGalley for an advance copy in exchange for an honest review.

Showtime at the Apollo: The Epic Tale of Harlem's Legendary Theater by Ted Fox is a graphic novel adaptation of the author's 1983 history of the historic Harlem theater with a few new updates. The African-American theater has a legendary musical history with the best of the best performers gracing its stage. Fox's graphic novel brings the rich musical history and cultural significance of the Apollo to life. Even though I read an unfinished copy of the ARC, I still enjoyed the history lesson the author presents. It's fantastic that he covers from the moment it was built to the present, but I definitely found myself most interested in its earlier days from the 1930s through the 1940s. Anyway, like I mentioned before, I read an unfinished ARC and quite a bit of the artwork is either not there or rough sketches (sometimes just circles where people were supposed to appear on the page). Even though it I believe I still got all of the text from the pages, I still felt a bit out of the loop since I was missing a significant portion of this history.

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